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Press

”The most striking new discovery and incredible talent I’ve recently come across. Her vocal clarity and theatricality are both innovative and mesmerizing, balancing between infantilism and a fully mature psycho-drama.”Homebridge” album os both congenial and breathtaking” Gred Drygala, Hifi Critic.

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Hifi Review

WOW!!! What a nice review in HiFi magazine from Greg Drygala!
My favourite sentence is ” Her vocal clarity and theatricality are both innovative and mesmerising, balancing between infantilism and a fully mature psycho-drama.”

Here is our brand new quartet video! It took almost a year to make it and what an amazing experience we had!

Many thanks to Dominik Rivola, a man who made this happen. It is also a song from our new CD, that you can find on iTunes

 

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New Year -New Music!

”It doesn’t matter how slow you go, as long as you don’t stop”

We’ve been working hard in 2018, so you could enjoy new music in 2019. My second quartet CD is going to be released on the 25th of January and I’m so proud to present it on one of the best Jazz Labels in Germany – Traumton Label. I’ve started writing music in 2017 in Switzerland, Bern and continued producing in Germany, Cologne and Bonn.

Very grateful to everybody, who was involved in the process – Nico Raschke, recording, mixing and mastering, Taisija Chernishova- a multi-talented person, who did my photos, Denis Hölscher and Florian Favre for CD design and of course my band – Sebastian Scobel, Jakob Kühnemann and Dominik Mahnig for enormous patience and willing to do their best.

More information about CD coming soon, but you can already take a look here

Here is some short presentation about the music I do, made by Lina Siekmann, Miriam and Christian. Many thanks to Stadt Köln and Horst und Gretl Will Stipendium for making this real. It’s an honour, which I appreciate very much!
Upright is slightly out of tune, but it’s real 😉

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Duo Lit Review in Jazzthing!

What an amazing review of the new CD by duo Lit! Many thanks to Uli Lemke!

”The boundless vocal fantasies of the Odessa native from Cologne, her impressive percussive onomatopoeia and her playful joke find a counterpart in the art of the drummer, which acts as an atmospheric projection screen, a roaring counterpart as well as an equal partner in dialogue. The change from composed themes to improvised dialogue succeeds completely effortlessly and excitingly, and so confidently wanders the duo of wide-ranging soundscapes to surprisingly song-like themes, that one would like to celebrate here a discovery of the year.”

And for German-speaking audience to read here